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Elaste Volume 4

by V.A.

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      €8.50 EUR  or more


  • 2-LP
    Record/Vinyl + Digital Album

    A1: Charanjit Singh - Raga: Madhuvanti
    A2: C Cat Trance - Shake The Mind
    A3: Disco D - Beat It
    B1: Cybotron - Mumbo Jumbo
    B2: Rinder & Lewis - Gluttony (Dompteur Mooner Edit)
    C1: Barbara Norris - Heavy Hitter (Dompteur Mooner Edit)
    C2: Tambien - Quedarte (Vinyl Only Bonus Track)
    D1: Equip - XXXO
    D2: NAD - Distant Drums
    D3: Dopplereffekt - Infophysix

    Includes unlimited streaming of Elaste Volume 4 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Welcome to the fourth chapter of the ELASTE series!
In this compilation I am progressing a style I am inaugurating: Vintage Futurism.

The best metaphor for this genre is Charanjit Singh’s 1982 album Ten Ragas to a Disco Beat in which he created a sound which mirrors, but more importantly pre-dates, the first acid house record by five years. It is no novelty record, but truly capturing the hypnotic potential of acid/house music. It became my key track for Elaste Volume 4.

Previous incarnations of Elaste have aimed to catch the spirit of the late 70’s Italian Cosmic Discotheque, a place where the history of DJing was rewritten within this microcosm. For this latest instalment I was most intrigued by weird of-the-time (or ‘out-of’ as the case turned out to be) electronic disco, a vast genre!

Bringing together those progressive avant-garde tracks that were expanding the genres of house, disco, acid, new wave; and ultimately use Elaste as a vehicle to highlight those tracks that were ahead of their time. These legendary works ranges from 1978 to 1996, a wide spectrum of musical history, in which some of the older tracks may sound modern, and newer ones sound may sound vintage.
Many of these authentic back-to-the-aural-future moments were initial sparks for whole genres – Larry Heard´s Disco-D alias happened just before house music. Greg Wilson’s 1984 project Equip was produced for a UK Electro compilation, but never made the LP, because it sounded simply too futuristic. Michael Rinder´s Gluttony can’t be called Disco any more, not even Post-Disco.

For Elaste Vol. 4 we have built Vintage Futurism as a home for these ultramodern mavericks.


released January 24, 2014



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Elaste Munich, Germany

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